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I Have No Mouth and I Must Scream Mass Market Paperback | Pages: 134 pages
Rating: 3.99 | 16121 Users | 1050 Reviews

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Original Title: I Have No Mouth and I Must Scream
ISBN: 0441363954 (ISBN13: 9780441363957)
Edition Language: English
Literary Awards: Hugo Award for Best Short Story (1968)

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First published in 1967 and re-issued in 1983, I Have No Mouth and I Must Scream contains seven stories with copyrights ranging from 1958 through 1967. This edition contains the original introduction by Theodore Sturgeon and the original foreword by Harlan Ellison, along with a brief update comment by Ellison that was added in the 1983 edition. Among Ellison's more famous stories, two consistently noted as among his very best ever are the title story and the volume's concluding one, Pretty Maggie Moneyeyes. Since Ellison himself strongly resists categorization of his work, we won't call them science fiction, or SF, or speculative fiction or horror or anything else except compelling reading experiences that are sui generis. They could only have been written by Harlan Ellison and they are incomparably original. CONTENT "I Have No Mouth & I Must Scream" "Big Sam Was My Friend" "Eyes of Dust" "World of the Myth" "Lonelyache" "Delusion for Dragonslayer" "Pretty Maggie Moneyeyes"

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Title:I Have No Mouth and I Must Scream
Author:Harlan Ellison
Book Format:Mass Market Paperback
Book Edition:First Edition
Pages:Pages: 134 pages
Published:January 15th 1984 by Ace Books (first published April 1967)
Categories:Science Fiction. Horror. Short Stories. Fiction. Fantasy

Rating Regarding Books I Have No Mouth and I Must Scream
Ratings: 3.99 From 16121 Users | 1050 Reviews

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There's a particularly memorable and terrifting concept presented in the headline story. What would you feel had you lived in the world where you were at a crazy omnipotent machine's mercy? What if the immortal you were tortured continuously by the said machine beyond endurance on and on? What if you lived an eternity as a plaything for a computer mind bored out of its computer mind? And you both were well aware that the lucky YOU were the LAST TOY left around? What if even suicide and madness

You know what kind of pisses me off? This idea that great stories somehow transcend categories, because measly science fiction could never be great unless it was "more" than science fiction.Sorry sweet snowflakes, but you didn't write anything uncategorizable. You wrote sci-fi, a genre of so much depth and possibility and wonder that it can explore a great many topics concerning humanity. And that may seem like a random rant to have here, but the goodreads description of this was aggravating.

Transhumanists supposedly believe they will download their consciousness onto computers, so they are free to explore the galaxy unburdened by meatspace. Having read many stories where the computer goes to Nutsville, the last thing I want is to be eternally damned to live grafted on some loopy addled microchip. If you want to know what that hell might be like, read this, otherwise don't bother. The comic book is easier to follow than the audiobook. I just read the title story, though I read the

Outstanding stuff in here. Just a whiz-bang of creativity written in the rhythm of a runaway train careening out of control. Some might dislike Ellison. I'm not one of them. Come for I Have No Mouth And I Must Scream, but stay for Eyes of Dust, Delusion for a Dragon Slayer, and Pretty Maggie Moneyeyes.

The title story is a futuristic nightmare written in 1967, with many echoes of the vengeful God of the Old Testament, and even the brief appearance of a celestial chorus singing, Go Down Moses. However, there is no humour or light relief. The near-omnipotent computer makes HAL from 2001 seem merely mean and misunderstood.After a global war, there is just one supercomputer and five humans. For one hundred and nine years, they have been trapped beneath the Earth, the playthings of a progressively

Wow. Some pretty disturbing shit. Especially for the time period it was published in. Title story was the best in my opinion.

I must have missed something. On first blush, this books should have been right up my street - strange, often twisted sci-fi and bizarro vignettes by an acknowledged master. Why, then, did I take longer to read this slim volume than I did my last foray into Dostoyevsky? Maybe it was the misogyny. Every female character (this is not an exaggeration) is a whore who preys on a given story's nondescript, but hateful male narrator. The sheer amount of loathing and contempt that Mr. Ellison's