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Le bleu est une couleur chaude

Julie Maroh

Paperback | Pages: 157 pages

Rating: 3.93 | 25168 Users | 2604 Reviews

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Original Title:	Le bleu est une couleur chaude
ISBN:	272346783X (ISBN13: 9782723467834)
Edition Language:	French
Characters:	Clementine, Emma, Valentine
Literary Awards:	Prix du Festival d'Angoulême for Prix du public Fnac-SNCF (2011), BDGest'Art for Meilleur Premier album (2010)

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Perhaps matronly women shouldn’t read graphic novels about loves at tender age. Perhaps they shouldn’t read soul-peircing stories like this. Perhaps this knocks down their finest defences, their carefully constructed barricades of cynism and despair. Happy people have no stories. Paraphrasing Tolstoy, all happy loves are the same, each unhappy love is unhappy in its own way. And evidently, it will end in tears. Sob you will, dear reader. Reading this dreamy graphic novel, a flood of sad songs, poems and stories came to my mind, so many variations on the infinite theme Il n’y pas d’amour heureux. This song, so poignantly performed by Georges Brassens, and inspired by the eponymous poem by Louis Aragon could be an anthem to this moving graphic novel:

Rien n'est jamais acquis à l'homme Ni sa force Ni sa faiblesse ni son coeur Et quand il croit Ouvrir ses bras son ombre est celle d'une croix Et quand il veut serrer son bonheur il le broie Sa vie est un étrange et douloureux divorce Il n'y a pas d'amour heureux Sa vie Elle ressemble à ces soldats sans armes Qu'on avait habillés pour un autre destin A quoi peut leur servir de se lever matin Eux qu'on retrouve au soir désarmés incertains Dites ces mots Ma vie Et retenez vos larmes Il n'y a pas d'amour heureux Mon bel amour mon cher amour ma déchirure Je te porte dans moi comme un oiseau blessé Et ceux-là sans savoir nous regardent passer Répétant après moi ces mots que j'ai tressés Et qui pour tes grands yeux tout aussitôt moururent Il n'y a pas d'amour heureux Le temps d'apprendre à vivre il est déjà trop tard Que pleurent dans la nuit nos coeurs à l'unisson Ce qu'il faut de regrets pour payer un frisson Ce qu'il faut de malheur pour la moindre chanson Ce qu'il faut de sanglots pour un air de guitare Il n'y a pas d'amour heureux.

Is blue the warmest colour? To Clémentine, the touchingly charming, puppy-eyed teenage girl who falls in love with Emma, a liberated young lesbian activist art student, blue-haired and blue-eyed, it certainly is.

With its magical title and the inventive use of a minimalistic color scheme, the novel beautifully illustrates our very individual perception of colours. Many people consider blue a cold and masculine color, while it used to be also a feminine, warm colour, representing the celestial, the venerable, during the late Middle Ages and the Renaissance. The garments of the Virgin Mary were painted with the most expensive of all blue pigments, ultramarine blue, made from grounded lapis lazuli. Stained glass in the gothic cathedrals had to be blue. Blue flames are warmer than red flames, blue is the more passionate. Expressionist painters adored blue, using the radiant shades for the powerful expression of moods and emotions. In Picasso’s blue period blue equals melancholy. For Kandinsky, blue was the colour of spirituality: the darker the blue, the more it awakened human desire for the eternal. The French artist Yves Klein, to whom “colour is sensibility in material form, matter in its primordial state”, the colour blue was everything, even patenting the blue he invented for his Proposition Monochrome; Blue Epoch in 1957 and granting a cosmic, meditative dimension to it: “I had left the visible, physical blue at the door, outside, in the street. The real blue was inside, the blue of the profundity of space, the blue of my kingdom, of our kingdom!”

The history on the perception and significance of colours, and of blue, through the ages and in different cultures, in art, religion and literature, is fascinating. In Romanticism (Novalis), blue stands for the dream, the immenseness of longing, the remoteness of the ideal. Ideal love is blue, like Emma’s hair and eyes. So when Emma’s hair has become ‘ordinary’ blonde instead of blue at the moment she is living together for years with Clémentine, Maroh tells something about their love too.

Roses are roses. Blue is blue.”God knows I’m good but does he care? I’m sure somebody down there hates me”. She says as she…she says as she picks up a flower, for love is like a flower. It grows, blossoms and blooms. But love is just a word and words disobey. And roses are roses. (Gavin Friday, Love is Just a Word (Each man kills the thing he loves (1989)).

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Title	:	Le bleu est une couleur chaude
Author	:	Julie Maroh
Book Format	:	Paperback
Book Edition	:	Deluxe Edition
Pages	:	Pages: 157 pages
Published	:	April 1st 2010 by Glénat
Categories	:	Sequential Art. Graphic Novels. Comics. LGBT. Romance. Fiction. GLBT. Queer

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Ratings: 3.93 From 25168 Users | 2604 Reviews

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Upon further reflection, and after a reread, I found the (view spoiler)[ character death (hide spoiler)] troubling. There's such a huge issue of LGBT stories resulting in miserable endings. While it may reflect many people's stories, it doesn't represent the majority, the way it is represented in the majority of creative content. This is especially troubling to me in books/movies/shows directed at or telling stories about young adults. If I had read this when I was a teen, on top of everything

Perhaps matronly women shouldnt read graphic novels about loves at tender age. Perhaps they shouldnt read soul-peircing stories like this. Perhaps this knocks down their finest defences, their carefully constructed barricades of cynism and despair. Happy people have no stories. Paraphrasing Tolstoy, all happy loves are the same, each unhappy love is unhappy in its own way. And evidently, it will end in tears. Sob you will, dear reader.Reading this dreamy graphic novel, a flood of sad songs,

This was beautiful and heartbreaking. Not only was the story incredible but the artwork was masterful. Definitely recommend to anyone, regardless if you enjoy graphic novels.

I have seen the film, of course. It was everything they say it is, every award lobbed at it, well deserved. It was an event no doubt, a motion picture in the truest sense of the word. It was something different, refreshing. I let it wreck me. It was so glorious, even with its glaringly obvious flaws and the fact that it was lacking somehow in some crucial way. Maybe it's the ending, that was really dissatisfying for me. Something seemed to be missing overall. Despite all this, I knowingly went

Be still by beating heart.The movie adaptation of this graphic novel is one of my favorite movies of all time.I mean, seriously, look at them and tell me they're not amazing. I DARE YOU.So I figured I would love the graphic novel as well. I was not wrong.This is a powerful, moving love story that follows a young woman named Clementine discovering her sexuality with the help of a blue-haired gal named Emma. It is no surprise to me that this made such a heart-wrenching movie. The source material

Brilliant touching and moving graphic memoir about sexuality, love and life being short... so make the most of it that you can. Very good indeed.

"Only love will save the world. Why would I be ashamed to love?" I'm not crying you're crying.This is one of the very few graphic novels I've read in my life. I really liked the story. All I knew going into it was that it featured a FF-romance, but I had no idea if the tone was going to be sad or not. Well, from page one the reader knows it's going to be a sad story (even if you didn't pay attention to the plot but only looked at the colors you would notice it).Something that, rather stupidly I