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| Title | : | What Makes Sammy Run? |
| Author | : | Budd Schulberg |
| Book Format | : | Hardcover |
| Book Edition | : | Deluxe Edition |
| Pages | : | Pages: 320 pages |
| Published | : | May 7th 2002 by Random House (first published 1941) |
| Categories | : | Fiction. Classics. Novels. Culture. Film |
Budd Schulberg
Hardcover | Pages: 320 pages Rating: 4.08 | 1984 Users | 201 Reviews
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What Makes Sammy Run? Everyone of us knows someone who runs. He is one of the symp-toms of our times—from the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run? This is the question Schulberg has asked himself, and the answer is the first novel written with the indignation that only a young writer with talent and ideals could concentrate into a manuscript. It is the story of Sammy Glick, the man with a positive genius for being a heel, who runs through New York’s East Side, through newspaper ranks and finally through Hollywood, leaving in his wake the wrecked careers of his associates; for this is his tragedy and his chief characteristic—his congenital incapacity for friendship. An older and more experienced novelist might have tempered his story and, in so doing, destroyed one of its outstanding qualities. Compromise would mar the portrait of Sammy Glick. Schulberg has etched it in pure vitriol, and dissected his victim with a precision that is almost frightening. When a fragment of this book appeared as a short story in a national magazine, Schulberg was surprised at the number of letters he received from people convinced they knew Sammy Glick’s real name. But speculation as to his real identity would be utterly fruitless, for Sammy is a composite picture of a loud and spectacular minority bitterly resented by the many decent and sincere artists who are trying honestly to realize the measureless potentialities of motion pictures. To this group belongs Schulberg himself, who has not only worked as a screen writer since his graduation from Dartmouth College in 1936, but has spent his life, literally, in the heart of the motion-picture colony. In the course of finding out what makes Sammy run (an operation in which the reader is spared none of the grue-some details) Schulberg has poured out everything he has felt about that place. The result is a book which the publishers not only believe to be the most honest ever written about Hollywood, but a penetrating study of one kind of twentieth-century success that is peculiar to no single race of people or walk of life.
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| Original Title: | What Makes Sammy Run? |
| ISBN: | 0375508317 (ISBN13: 9780375508318) |
| Edition Language: | English |
| Characters: | Sammy Glick |
Rating Based On Books What Makes Sammy Run?
Ratings: 4.08 From 1984 Users | 201 ReviewsWrite Up Based On Books What Makes Sammy Run?
You might think a book written in 1941 about Hollywood would be too dated to be of interest to anyone but Hollywood historians. Wrong, baby, wrong! This modern classic is a must-read for anyone who is fascinated by Hollywood, or interested in character studies of incredibly compelling anti-heroes. In the 21st century, What Makes Sammy Run? is essentially a historical novel, but it's still a damn fine character-driven story, and let's face it, Hollywood is still crawling with Sammy Glicks.TheHe knows whereof he speaks. It's remarkable that he had the perspective to write this book as a young man, having grown up at the center of power in Hollywood. A smart and empathetic assessment of the state of the business he was steeped in from birth. Movies aren't the center of the culture, as they were then, before television, much less the web. If the Sammy Glicks of the world are now hustling Apps, only the details have changed.
An easy, quite witty and fast book that sticks to the topic, thus a 'study' of Sammy Glick and to some degree--Hollywood scene of the late 30's/early 40's.
This is sort of a quasi-fictional literary exposé of mid-Century Hollywood with a great deal of moralizing by a first-person narrator. The story is, on the surface, all about the antagonist -a.k.a. Sammy and his rise from being a Lower East Side punk to being a successful Hollywood producer. Sammy will stop at nothing and backstab just about anyone to get where hes going but much of the books interest is in Manheims stated efforts to process Sammys motivation and compare it with his own. Beyond
A portrait of a particularly American monster, the man on his ruthless way to the top of what he deems the ultimate success. Chilling and brilliant and, often, very funny.
Good stuff. Great perennial American character, like Gatsby.A good example, though, of what Pritchett said about psychology being reduced to motivation in contemporary literature. The narrator is obsessed with finding out, well, what makes Sammy run--and run over so many people as he does so. I admire Schulberg if for no other reason than his old-fashioned attitude that there is more to write about than one's own ethnic group. Waterfront (the novel) could have been written by an Irish-Catholic
Book Circle Reads 82Rating: 4.5* of fiveThe Publisher Says: Everyone of us knows someone who runs. He is one of the symptoms of our timesfrom the little man who shoves you out of the way on the street to the go-getter who shoves you out of a job in the office to the Fuehrer who shoves you out of the world. And all of us have stopped to wonder, at some time or another, what it is that makes these people tick. What makes them run?This is the question Schulberg has asked himself, and the answer is
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